Make your own free website on Tripod.com

Disney and The Lion King

Lion King Broadway Reviews
The Film
Simba
Mufasa
Scar
Timon and Pumbaa
Rafiki
Nala
Zazu
Shenzi Banzi and Ed
Sarabi
Sarafina
Disney Land
Walt Disney Pictures
Pixar Animation Studios
Elias Disney (Father of Walt Disney)
Roy Oliver Disney (Brother of Walt Disney)
Lillian Disney
Walt Disney Theatrical
Disney Channel
Walt Disney Television
Walt Disney Televison Animation
Walt Disney Parks and Resorts
Walt Disney World
Walt Disney Feature Animation
Disney TV Shows
Disney Televison Movies
Out Of Print Disney DVD's
Animated Classics
Other Animated Films
(Live Action 1980 Present)
Live Action (Pre 1980)
Direct-To-Video
Disney Documentaries and IMax
Disney DVD and Video
The Lion King III Simba's Heir Ver. 1.4 (Story)
Crossing the Desert (Story)
The Lion King IV Dark Ruler Ver. 1.4 (Story)
The Lion King V : The Final Clash Ver 1.4 (Story)
The Lion King VI Human Encounter Ver. 1.4 (Story)
Scar's Revenge (Story)
The Best On Broadway (Story)
Redemption (Story)
How Shenzi and Banzai Met (Story)
Relations (Story)
The Scarring of Taka (Story)
Zira and Timon (Story)
Fond Memories (Story)
Scar's Revenge (Story) Rene Gorydon
Roy E Disney
The Walt Disney Company
Walt Disney
Jason Raize
The Lion King Broadway CD Reviews
The Lion King Fan Reviews
The Lion King Critics Reviews
Lion King Broadway Reviews
The Lion King Movie Pictures

The Lion King (musical)

From Wikipedia, the free encyclopedia

Jump to: navigation, search
Broadway Show
The Lion King
Theatre New Amsterdam Theatre
Opening Night November 13, 1997
Tony Nominations 11
Tony Awards 6
Author(s) Music by Elton John & lyrics by Tim Rice
Director Julie Taymor
Leading Original Cast Members Jason Raize


The Lion King is an award-winning Broadway stage musical based on the movie and is directed by Julie Taymor, featuring actors in animal costumes as well as giant, hollow puppets. The stage show first opened on July 31st, 1997 in Minneapolis at the Orpheum Theatre, and was an instant and tremendous success, moving permanently to the New Amsterdam Theater on Broadway in New York that October. A version later opened in London, and another in Toronto, playing there until January 2004. In June of 2006, the Broadway production will move to the Minskoff Theater to make way for the musical version of Mary Poppins.

Contents

[hide]

Various productions

After the Broadway show was a success, the United Kingdom were immediately at the post for getting this spectacle, which can be watched in the Lyceum Theatre in London. Julie Taymore led the English production of the show, with Peter Schneider as the producer. The South Bank Show were allowed to record the behind-the-scenes of the production. Adverts for the English show were added to some Disney videos, hosted by Fearne Cotton.

There are currently two U.S. touring productions. The tour version is very similar to the original Broadway production; however, certain scenic elements which rise out of the stage floor (such as Pride Rock, the stampede, and the grasslands) were converted to less costly configurations for the touring productions.

International productions of the show are now playing in:

Musical adaptation

The Lion King on Broadway
Enlarge
The Lion King on Broadway
Hamburg, Germany: Lion King Theater
Enlarge
Hamburg, Germany: Lion King Theater

There were several changes and additions to the storyline from the film, the mandrill Rafiki's gender was changed to a female role, as Taymor believed there was generally no leading female character in the film, and also an added scene during the later years where Timon tumbled down a waterfall and Simba was telepathically contacted by his deceased father, and Pumbaa had to be the hero. Lebo M. led the chorus as its composer, the chorus was now shown in the production instead of being hidden in the shadows like most productions have done. Like its predecessor, the Beauty and the Beast production, the Lion King has had a number of new songs added in, including The Morning Report sung by Zazu the hornbill (this song became an official song that was added in the film in its special edition release on DVD), Shadow Land sang by an adult Nala, and One By One, an African-styled song sung by the chorus.

Many of the animals portrayed in the production were actors in costume with extra tools to move their costumes. For example, the giraffes were portrayed by actors carefully walking on stilts. Principal characters like Simba, Mufasa, Scar, Rafiki and Nala were portrayed by actors wearing elegant costumes and wearing robotic headsets that would automatically come down when they bend down for an action. Several other characters like the Hyenas, Zazu, Timon and Pumbaa were portrayed by actors in life-sized puppets or costumes. Characters like the Hyenas and Pumbaa had the actors inside special puppet-costumes and used their hands to move the heads of the characters, while Timon and Zazu's actors controlled the puppets, dressed in costume as well. The character for Timon was described by Taymor to be one of the hardest roles to master, as the movement of the puppet's head and arms would put strain on the actor's arms, back and neck.

Lebo M. also taught the actors to sing at the right tone and pitch, to perfect their voices. A new section of the production was the Lioness Hunt where actresses dressed in costumes danced a complicated sequence. The cheographer of the production, Garth Facan led the teaching of the dance. The actresses have hard times in the training, and from footage from the South Bank Show, it becomes more complicated when they are wearing the headsets.

The character Rafiki, the shaman-like mandrill character of the film, was transformed from a male character, to a female character. Julie believed Rafiki should be a female character, as she believed there was no strong female characters in the film. Rafiki was portrayed by Tsidii Le Loka in the original Broadway musical, and by Josette Bushell-Mingo in the British verison. An interesting fact is when the British production was in the planning stages, Julie Taymore, Lebo M. and Josette Bushelle-Mungo travelled to Africa to experience the animals the show would portray. Josette and Julie met a female shaman in Africa who gave them advice on how to portray a shaman figure in a theatre production.

Awards

The show won many awards for its brilliance in 1997. For more information see the section below.

The show is produced by Disney Theatrical.

Tony awards

The Lion King was nominated for the following Tony Awards in 1997:

Award Won? Person
Best Musical Yes
Best Scenic Design of a Musical Yes
Best Costume Design of a Musical Yes Julie Taymor
Best Lighting Design of a Musical Yes Donald Holder
Best Choreography Yes Garth Fagan
Best Direction of a Musical Yes Julie Taymor
Best Book of a Musical No Roger Allers and Irene Mecchi
Best Original Score No Elton John (music), Tim Rice (lyrics), Hans Zimmer (music), Lebo M (music & lyrics), Mark Mancina (music & lyrics), Jay Rifkin (music & lyrics), Julie Taymor (lyrics)
Best Performance by a Featured Actor in a Musical No Samuel E. Wright
Best Performance by a Featured Actress in a Musical No Tsidii Le Loka
Best Orchestrations No

Original Broadway cast

Actor Role
Jason Raize Simba
Samuel E. Wright Mufasa
John Vickery Scar
Scott Irby-Ranniar Young Simba
Max Casela Timon
Tom Alan Robbins Pumbaa
Tsidii Le Loka Rafiki
Heather Headley Nala
Geoff Hoyle Zazu
Tracy Nicole Chapman Shenzi
Stanley Wayne Mathis Banzai
Kevin Cahoon Ed
Gina Breedlove Sarabi
Kajuana Shuford Young Nala

The Lion King: The Broadway Musical celebrated its world premiere at the Orpheum Theatre in Minneapolis, MN, on July 8, 1997. Now playing at the New Amsterdam Theater on Broadway, this musical version of Disney's greatest animated feature ever has already drawn rave reviews for its dazzling special effects and staging, the inspired music by Tim Rice, Elton John, Hans Zimmer, and Lebo M., and for its nearly magical performance by a cast using masks and puppetry combined with live acting to convey the atmosphere of The Lion King.

This production broke new ground in theatrical technology, attempting to bring to the stage such vast and sweeping elements as the rolling African savannah and the famous wildebeest stampede in which Mufasa is killed by his brother Scar. Far from shrinking from the challenge or toning down the scale of the film, director Julie Taymor succeeded in the superhuman feat of reproducing the film's vastness through ingenious staging techniques and experimental methods worthy of Walt Disney Theatrical, producers of the wildly popular Beauty and the Beast Broadway musical, which also debuted at the Orpheum.

Enter subhead content here

Enter content here

Enter content here

Enter supporting content here